Have you ever been ghosted by a God? Arrows And Traps present Talking Gods

Talking Gods starts with Hestia, the nowadays lesser-known deity of home and hearth, is telling us about her modern life, cohabiting with her activist sister Demeter and her teenage niece Cora. Her sister is much less domestic than Hestia, swears like a trooper, smokes weed and cares more about Aldi, Extinction Rebellion and genocide in … Continue reading Have you ever been ghosted by a God? Arrows And Traps present Talking Gods

London’s National Theatre At Home – Peter Shaffer’s Amadeus

If there is one advantage of lockdown, it is the access to plays you have missed seeing on stage, in my case Peter Shaffer’s Amadeus at London’s National Theatre and again at its rerun in 2018. Thank you, National Theatre At Home. I first watched the Oscar-showered film from 1984 in school when I was … Continue reading London’s National Theatre At Home – Peter Shaffer’s Amadeus

Nyokabi Macharia stars in Actors Anonymous – The livestream

The great folks I met at Crooks 1926 highly recommended Actors Anonymous on the digital stage to me, a one-woman show starring Nyokabi Macharia as every single participant in a self-help group for aspiring actors in London. Here mediation junkies and notorious late comers meet in a chair circle, here they share their experiences and … Continue reading Nyokabi Macharia stars in Actors Anonymous – The livestream

Open Bar making A Christmess Carol online

This December is the first in which I receive an email from Charles Dickens. It includes log-in details and thanks to these, tonight’s audience and actors are all together on a Zoom call: “Hello, my little Christmas crackers!” I recognize most faces from Open Bar’s Shakespeare in the Garden, the theatre company behind the only … Continue reading Open Bar making A Christmess Carol online

Watching Charles Dickens’ A Christmas Carol on cardboard – with Polka Theatre’s key audience as judges

Reviewing a recorded play of Charles Dickens’ uber-classic A Christmas Carol, aimed at 4-11-year-olds comes with a challenge when, however hard I try, I do not fit in the target audience. Luckily, I can rely on Eliana, six, and Nico, four, who happily help out, and with the assistance of their parents we all connect digitally and watch this 15 minute show from our screens miles apart together.  The video starts … Continue reading Watching Charles Dickens’ A Christmas Carol on cardboard – with Polka Theatre’s key audience as judges

The Constella OperaBallet’s Christmas Gala 2020 connects stars with the nation’s care homes and your living room

Obviously, I agree to review a Christmas concert, once I discover that it falls on the date my beloved grandma would have turned almost ninety. And especially when it has been set up to raise awareness for the isolation and loneliness of our elder citizens. The Constella OperaBallet’s Christmas Gala 2020 is available to watch … Continue reading The Constella OperaBallet’s Christmas Gala 2020 connects stars with the nation’s care homes and your living room

Zoom into Wintery Tales – an online evening of storytelling

After a long day of working from home as I have done since March, I am too tired to switch on my camera for this online evening of storytelling and opt for the role as a silent listener. Fellow listeners here are far more interactive, greeting friends and relatives in the southern hemisphere, present their … Continue reading Zoom into Wintery Tales – an online evening of storytelling

Mike Bartlett’s Love, Love, Love at the Hammersmith Lyric – for your ears only

The audio recording of Love, Love, Love begins with a warning of strong language and explicit sexual scenes, then a collage of news footage of the UK’s chaotic lockdown start in March follows, especially difficult for theatres suddenly hanging in limbo: The government did not close them but advised their guests not to go. “Missed … Continue reading Mike Bartlett’s Love, Love, Love at the Hammersmith Lyric – for your ears only

Theatre on demand (Riverside Studios 2014) – Theatre Lab Company’s Medea by Euripides

The drums and instruments played at Theatre Lab Company’s Medea might be the same I have heard last time at a Kurdish wedding – here at the Riverside Studios in Hammersmith the wedding celebrations of Jason and Glauce are held. We hear from the attending servants who curse the famous Argo Jason arrived with at … Continue reading Theatre on demand (Riverside Studios 2014) – Theatre Lab Company’s Medea by Euripides

Take a London city break – listen to The Understudy

Did you know that you can point out actors at a party because they will harmonize when singing Happy Birthday? Expect more thrusts on The Ivy scene, people boring others with their knowledge about Japanese whiskey while quoting from Notting Hill for unrequested aspiration - enter the world of struggling actor Stephen. Failing to bond … Continue reading Take a London city break – listen to The Understudy