Strongly recalling visits to London’s National Theatre (another prominent example of 1970s brutalism architecture), it appears the Gillian Lynne Theatre in Covent Garden also mastered an auditorium without bad seats. For the price we paid, we are more than happy with our seats in the first row of the balcony to the right, despite the apparent restricted view: Even the … Continue reading The Lion, the Witch and the Wardrobe at the West End’s Gillian Lynne Theatre